THOMAS CANNON

THOMAS CANNON


 - B A R I T O N E -

THOMAS CANNON


 - B A R I T O N E -

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Thomas Cannon has been acclaimed for his “focused tone, keen dramatic sense and vocal powerhouse”. Skilled across diverse genres, he has performed works by Verdi, Mozart, Puccini, Gounod, John Corigliano, Meredith Wilson and George Gershwin.

Thomas Cannon has been acclaimed for his “focused tone, keen dramatic sense and vocal powerhouse”. Skilled across diverse genres, he has performed works by Verdi, Mozart, Puccini, Gounod, John Corigliano, Meredith Wilson and George Gershwin.

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Recent and upcoming: Thomas Cannon was Scarpia at Opera Roanoke during the 2018-19 season and sang the role of Figaro in Ghost of Versailles with the Miami Music Festival. He is Senator Potter and General Arlie in George Spears’ Fellow Travelers with Arizona Opera and Porgy in Porgy and Bess this season at Fort Worth Opera.

Recent and upcoming: Thomas Cannon was Scarpia at Opera Roanoke during the 2018-19 season and sang the role of Figaro in Ghost of Versailles with the Miami Music Festival. He is Senator Potter and General Arlie in George Spears’ Fellow Travelers with Arizona Opera and Porgy in Porgy and Bess this season at Fort Worth Opera.

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He has been heard as Albert in Werther at Merkin Hall and has sung the role of Escamillo with Music Academy of the West. Among the roles in his repertoire include; Enrico (Lucia di Lammermoor), Giorgio Germont (La traviata), Count di Luna (Il trovatore) Count Almaviva (Le nozze di Figaro), Sharpless (Madama Butterfly), Ford (Falstaff), Sprecher (Die Zauberflöte) and Nettuno (Idomeneo). Mr. Cannon has sung extensively with Arizona Opera where he was engaged as a young artist. In addition, he has been a member of The Glimmerglass Festival, Chautauqua Opera, Santa Fe Opera, Dallas Opera and Music Academy of the West young artist programs.

He has been heard as Albert in Werther at Merkin Hall and has sung the role of Escamillo with Music Academy of the West. Among the roles in his repertoire include; Enrico (Lucia di Lammermoor), Giorgio Germont (La traviata), Count di Luna (Il trovatore) Count Almaviva (Le nozze di Figaro), Sharpless (Madama Butterfly), Ford (Falstaff), Sprecher (Die Zauberflöte) and Nettuno (Idomeneo). Mr. Cannon has sung extensively with Arizona Opera where he was engaged as a young artist. In addition, he has been a member of The Glimmerglass Festival, Chautauqua Opera, Santa Fe Opera, Dallas Opera and Music Academy of the West young artist programs.

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Thomas Cannon regularly appears on the concert stage. In 2019 he performed Haydn’s Harmonie Messe at St. Stephen’s Cathedral in Vienna and Mozart’s Requiem at the Esterhazy Palace in Eisenstadt, Austria; was soloist with the Haydn Festival Eisenstadt in Die Schöphfung (The Creation) under the baton of Richard Zielinsky and sang Messe des Lebens by Frederick Delius with the American Symphony Orchestra under the direction of Leon Botstein. Other concert repertoire includes; Verdi’s Messa da Requiem, Brahms’ Ein Deutsches Requiem, Rossini’s Petite Messe Solennelle, Mendelssohn’s Elijah and Handel’s Messiah.

Thomas Cannon regularly appears on the concert stage. In 2019 he performed Haydn’s Harmonie Messe at St. Stephen’s Cathedral in Vienna and Mozart’s Requiem at the Esterhazy Palace in Eisenstadt, Austria; was soloist with the Haydn Festival Eisenstadt in Die Schöphfung (The Creation) under the baton of Richard Zielinsky and sang Messe des Lebens by Frederick Delius with the American Symphony Orchestra under the direction of Leon Botstein. Other concert repertoire includes; Verdi’s Messa da Requiem, Brahms’ Ein Deutsches Requiem, Rossini’s Petite Messe Solennelle, Mendelssohn’s Elijah and Handel’s Messiah.

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Mr. Cannon has been honored for his artistry by The Dallas Opera Guild, Chautauqua Opera, The Anna Sosenko Foundation, West Palm Beach Opera, Opera Birmingham, and The Metropolitan Opera National Council Auditions.

Mr. Cannon has been honored for his artistry by The Dallas Opera Guild, Chautauqua Opera, The Anna Sosenko Foundation, West Palm Beach Opera, Opera Birmingham, and The Metropolitan Opera National Council Auditions.

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He is a graduate of Baylor University where he earned a Bachelor’s of Music; The Juilliard School, Master of Music in Voice; and most recently a Doctorate of Musical Arts from Oklahoma University. Notable teachers including Nico Castel, Mignon Dunn, Marlena Malas, Dr. John Van Cura and Marilyn Horne and Kim Josephson of the Metropolitan Opera.

He is a graduate of Baylor University where he earned a Bachelor’s of Music; The Juilliard School, Master of Music in Voice; and most recently a Doctorate of Musical Arts from Oklahoma University. Notable teachers including Nico Castel, Mignon Dunn, Marlena Malas, Dr. John Van Cura and Marilyn Horne and Kim Josephson of the Metropolitan Opera.

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Reviews:


The role of Figaro takes center stage. Thomas Cannon was both vocal stalwart and entertainer extraordinaire as the jack-of-all-trades and schemer... His deep baritone soared in Figaro’s evocation of the heavens and his agile, quick patter was equal to Corigliano’s mock-Rossini ditties... Cannon’s outstanding English diction stood out for clarity, even at the highest extremes of his vocal range.” 

-- South Florida Classical Review.

Reviews:


The role of Figaro takes center stage. Thomas Cannon was both vocal stalwart and entertainer extraordinaire as the jack-of-all-trades and schemer... His deep baritone soared in Figaro’s evocation of the heavens and his agile, quick patter was equal to Corigliano’s mock-Rossini ditties... Cannon’s outstanding English diction stood out for clarity, even at the highest extremes of his vocal range.” 

-- South Florida Classical Review.

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