Hailed by critics as a singer with “lovely stage presence,” a “silvery tone,” and “exquisite mezza di voce,” Canadian soprano Meghan Lindsay excels across many genres. She is now in her sixth-season as a principal artist with Opera Atelier.
Recent and upcoming: She triumphed in the title role of Alcina and completed a run as Amour in Gluck’s Orphée et Eurydice with Opera Atelier. She returned to Opera Atelier to reprise the role Sidonie in Armide, ending the season as Giunia in Mozart’s Lucio Silla. In the 2016-17 season she sings Belinda in Dido and Aeneas and Nerine in Charpentier’s Médée with Opera Atelier. This fall marks the recording release of Ars Lyrica’s La Sposa dei Cantici by Scarlatti with Ms Lindsay as featured soloist.
Ms Lindsay debuted with Ars Lyrica in 2014 at the Houston Early Music Festival in works by Scarlatti and Bach. She sang Venus in Lully’s Persée with Opera Atelier at
She has sung the role of Agathe in Opera Atelier's Der Freischütz, sang the title role of Luisa Miller with Opera Nova Scotia and Mimi in La bohème with The Northern Lights Festival. She made her
In 2010-11 Ms. Lindsay was a young artist with Opera Studio Nederland where she made her international debut as Euridice in Pierre Audi’s production of Monteverdi’s L’Orfeo and her Concertgebouw debut performing excerpts from Don Giovanni and Le nozze di Figaro. That season she performed the role of Fiordiligi in Opera Studio Nederland’s production of Così fan tutte and Contessa in Opera on the Avalon’s Le nozze di Figaro. She also performed the title role in Massenet's Cendrillon, the première opera at
An accomplished concert artist, Ms. Lindsay has been featured on CTV television, CBC radio broadcast and has toured
More on Meghan Lindsay at: www.meghanlindsay.com
Soprano Meghan Lindsay provided elegantly phrased support as Dido's sister, Belinda. — Christopher Hoile, Opera News, Dido and Aeneas
A cast member who is new to me is soprano Meghan Lindsay as Donna Anna, who has been training in
…Meghan Lindsay combines blond beauty with a solid vocal delivery in the opera’s title role. — Richard Ouzo, thestar.com, Alcina